Mike is an Official W.F.D. World's Fastest Drummer Champion and in the rankings of 5 hand and foot categories.

Here is his opinion on it:

"The existence of the drumometer and the WFD events has helped my drumming speed and endurance. It really doesn't matter how many hits I can get in a certain timeframe as it relates to how many other person can get. The point is that the WFD has helped me get better and keep a certain part of my chops up when I most certainly would have let them deteriorate if I had no place to use them.

Speed has a defintion which does not include musicality; it is something different, so the word "musical" is irrelevant with regard to Drumometer. What is relevant is the nature of everything along with proper definitions. The Drumometer is a device, speed is a derivative, facts with truth are usually based in scienfically provable forms of evidence, opinioins include feelings and not necessarily facts, musicality includes a level of order and "melody" (which also has a defintion.)

My top runs are never perfectly executed rhythmically and certainly are not musical. Trying them really has helped my more 'quality' playing in a big way. As far as the 'runs' go, the just are what they are. Please know that I don't get injured doing the runs because I practiced many years of clean, slow, accurate and rhythmically perfect groupings for extended hours per day in order to build up my muscle groups. Trying a one minute 'run' for the first few times was something that I didn't really have to practice for. I have some kind of gift to do this, just like anyone that has the gifts that they have. I felt that it was important to do something with that gift. The WFD provided a really fun way for me to stay on top of my chops even though 'all out runs' would not be of the perfectly executed varity of drumming I would approve of on a recorded track. My cleanest runs are with my bare hands; they're also the hardest, by far.

I use a very low stick height in order to play as fast as I can for one minute; the higher the stick, the less velocity and the quicker I die in my tracks after so many seconds....just like anyone else I'm sure. I use mostly wrists; I never use just fingers as it causes tendon related pains.

In the end, as long as one does not get injured and can express their musical ideas, or fastest 'runs,' then a technique is not necessariy "wrong." I do have evidence to show that certain techniques work better than others for not getting injured and for playing with high quality.

Peace. - Mike Mangini"

 

Official World Record Certificates
Official W.F.D. Website (see video clips of records)
Official Drumometer Website (get info on the Drumometer)

 

 

 

From Mike: "The camaraderie of anyone who truly knows the fun of being in the World's drum community is, by nature, true of the W.F.D. events. To be able to improve at a mechanical thing, then use it to express an artistic idea is to have incredible peace as far as I'm concerned. I wish this on everyone who wants it."

The term "World's Fastest Drummer" cannot be used without the approval of the W.F.D. (who owns it.) There is one lawsuit pending as you read this.

 

 

AUDIO CLIPS


SINGLE-LIMB SPEED APPLICATIONS TO
SONG GROOVES:

10" Hihat Machine Sounding Part on "Lost"
(Track 05), James LaBrie "Elements of Persuasion"
This clip's special move is the whacking of the snare on the back beat along with all the notes on the closed mini-hats. The left hand is playing consistent pulses on another closed hihat; 13" ontop of a trashformer.

Double Snares & 3 Toms Left Hand Percussion Simulation on "Thanks for Nothing" (Track 4),
Tribe of Judah "Exit Elvis"
The 'ride' parts, played on 3 china stacks (hi, med, & low pitches,) are split between both hands as well as all the percussion and tom hits. The toms are being whacked very hard while the china stacks are not.

Hihat Verse on "His Voice", Mullmuzzler
"Keep it to Yourself"
As there is no choice due to the positioning, the hihat part is played with the right hand.

Anvil Part on Cowbell edge on "Am I Ever Going to Change", Extreme "Running Gag" Live in Japan
The left hand is playing the 'Anvil' part from the studio recording while the right plays the 'drum part' exactly as recorded.

Snare & ChinaStack Transition from Each Verse to Chorus on "Tell Me", Mullmuzzler Keep it to Yourself

Death Metal Tom Melodies on "Rage Absolute"
(Track 7), Annihilator "All for You"
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This one is more about the velocity as the speed is 4 hits per second slower than the world record. All the strokes are hard hit wrist strokes.

Go toPage for Non-Speed Playing Overview or Recordings

 

 

 

 

 

 

 

VIDEO CLIPS



MULTI-LIMB SPEED APPLICATIONS TO MOVES


Wrist technique applied to blast beat

w/4 16th's @290bpm


Single-Hand around the toms blast 32nds@ 143bpm
... a little slower as the distance between toms is huge.

Mike's "Lopping Shears" move named by tech Magee This clip starts on closer toms, then explodes faster to further floor toms. The feet are hitting in between the hand singles ala "blast".

The "Crow" named by Gary Cherone
The feet are playing all the notes not in between like the"blast" beats. The feet are not tapping, the are really hitting the kick drum at 138 bpm (32nd notes). Triggers are on the shopping list.

Footage of a long run of foot singles at this speed will be seen in the solo from the upcoming "Drum Pad 20thAnniversary" DVD spring06 release.

See Last 30 Seconds of this Bare Handed Run

Stick weight affect on speed

Objectivity of use of speed

A sentence each by: Boo McAfee & Rikki Rocket about events

 

 

 

TO ANSWER 'THE' QUESTION OF HOW:

"My hand records are all set with a technique that is mostly wrist. There is no "finger only" motion although there surely is a mix of fingers and wrist. Making my point, you can believe the bare hand one is ALL WRIST because there are no sticks used; those are all full single stroke hits. Learning this has allowed me to express more ideas on recordings without worrying about hitting too lightly to 'go to tape'.

Personally speaking, an all finger technique seems like a good idea, but I feel sharp pains from it, so I just stay away as much as I can. That's all I have to say about that.

 


The Rise of Speed Drumming
By George Broyer

Every once in awhile, an innovation comes along in music that helps shape the future of the industry. Still, people fear change. Many view the advancement as an attack to the establishment. They try to resist for as long as they possibly can until it becomes accepted by the majority thus making it mainstream. When Rock & Roll came about, many thought it would lead to the downfall of America's youth. When Ray Charles combined gospel music with R&B, many said it was blasphemous and degrading God's work. Yet, Ray Charles is now considered one of the greatest music innovators of the 20th century. Enter speed drumming. Not immune to the same criticism, this latest craze is taking the drumming world by storm and creating quite a stir. Although it's been embraced by many drummers young and old, others see it as an infringement upon their revered tradition.

http://store.drumbum.com/drums/speed-drumming.htm


Editor's Note: I've noticed other parties out there creating speed drumming events and organizations, and calling it their own. It's unfortunate because it's not only wrong, but it discredits Boo McAfee and Craig Alan and all their hard work over the years to bring speed drumming to the forefront of the drumming community. I urge drummers and industry leaders everywhere to support the original WFD movement only and speak up when necessary to help fend off copycat organizations. - Mike Donovan

 

A bit of seriousness & dry humor...

It seems the following words used in the past to describe drummers the double pedal or "big" kits are still used today, but for the drumometer device and the contests. Here they are for your review unless you know them all and don't need to look them up: speed, musical, drummer, ignorance, stupid, editors, writers, professional, wrong, correct, envy, opinion.

Here's a good one: intention.

 

 

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